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Gaetano Donizetti (1797 – 1848) La Favorite Act 3 Oh! Mon Fernand
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Camille Saint-Saëns (1835 – 1921) Samson et Dalila, Op. 47, R. 288 Act 2 “Mon coeur s’ouvre à ta voix”
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Peter Ilyich Tchaikovsky (1840 – 1893) The Maid Of Orléans, TH 6 Sung in Russian Act 1 Farewell you native hills and fields
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Charles Gounod (1818 – 1893) Sapho, CG 1 Act 3 O ma lyre immortelle
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Charles Gounod (1818 – 1893) Faust, CG 4 “Faites-lui mes aveux”
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Nicola Vaccai (1790 – 1848) Giulietta e Romeo Act 2 Giulietta! oh! mia Giulietta! – Ah! se tu dormi
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Hector Berlioz (1803 – 1869) La Damnation de Faust, Op. 24, H 111 Pt. 4 Scène 15. Romance. “D’amour l’ardente flamme”
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Edouard Victor Antoine Lalo (1823 – 1892) Le Roi d’Ys Act 2 De tous cotés j’aperçois dans la plaine… Lorsque je t’ai vu soudain reparaître
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Charles Gounod (1818 – 1893) La Reine de Saba Act 3 Plus grand, dans son obscurité
In Romantique, Elīna Garanča makes a smashing return to the studio and puts her imprint upon the big Romantic repertory, brilliantly portraying such different heroines as Tchaikovsky’s Joan of Arc (The Maid of Orléans), Gounod’s Sapho and Saint-Saëns’ Dalila
Elīna Garanča’s mezzo-soprano is velvet; she is a stunning figure on stage; her formidable technique encompasses repertoire from Mozart and bel canto to dramatic roles and contemporary music
Conductor Yves Abel’s penchant for the voice and skill at leading an orchestra draws beautiful sound and potent drama from the Filarmonica del Teatro Comunale di Bologna. Elīna Garanča’s rapport with this orchestra is deeper than ever.
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