«Rudolf Serkin Plays Bach»
|Johann Sebastian Bach||
Brandenburg Concerto No. 1 in F Major, BWV1046,
Brandenburg Concerto No. 4 in G major, BWV1049,
Brandenburg Concerto No. 5 in D major, BWV1050,
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV992 (on the departure of his beloved brother),
Chromatic Fantasia & Fugue in D minor, BWV903,
Concerto for Three Keyboards in C major, BWV1064 (harpsichords or pianos),
Concerto for Three Keyboards in D minor, BWV1063 (harpsichords or pianos),
Goldberg Canons, BWV1087 (14 Canons on the 8 first bass notes of the Goldberg Variations),
Italian Concerto, BWV971 (Concerto nach Italienischem Gusto),
Sonata for Violin & Harpsichord No. 3 in E major, BWV1016,
Toccata in E minor, BWV914.
Mieczyslaw Horszowski (Piano), Rudolf Serkin (Piano), Ruth Laredo (Piano), Adolf Busch (Violin).
Sony Classical proudly announces an uncommonly attractive new batch of reissues from the CBS/Sony and RCA Victor/BMG back catalogues. This latest installment of the popular series showcases the reissue of a path-breaking composer edition as well as recordings by some of the labels’ greatest artists of the last half-century. Rudolf Serkin is rightly revered for his powerful interpretations of the Austro-German Classical and Romantic piano repertoire, but he was also an outstanding Bach player. In the 1920s he began a decades-long partnership with the great German violinist-conductor Adolf Busch (his future father-in-law) that led to, among countless treasures, a classic set of the Brandenburg Concertos, recorded in London in 1935, and many performances of the Bach Violin Sonatas, including a live recording of No. 3 in E major, BWV 1016, made in Washington in 1943. That performance is now being reissued in a new Sony Classical release containing all of Serkin’s Bach for American Columbia. The new collection contains another famous recording of the Brandenburgs featuring Rudolf Serkin’s magnificent continuo playing on piano (and his son Peter playing harpsichord continuo in No. 6), made in 1965 at the Marlboro Festival in Vermont (founded by Adolf Busch), led by Alexander Schneider and conducted by Pablo Casals. There are also performances of Bach’s two Concertos for 3 Keyboards that Serkin recorded at Marlboro and Casals’s Prades Festival with pianist-colleagues Mieczyslaw Horszowski, Peter Serkin and Ruth Laredo; Serkin père playing solo works including the Chromatic Fantasy and Italian Concerto; and the 14 canons based on the Aria from the Goldberg Variations that was discovered in 1974 in Bach’s own copy of the printed works, with Serkin’s “concentrated, reflective, crystal-clear, and beautifully balanced performance”