Vladimir Horowitz – The Great Comeback

110,00

15 CD | Booklet 

Κλασική Μουσική 

Sony

23 Ιανουαρίου 2020

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Περιγραφή

190759353325

Johann Sebastian Bach:Fugue, from Toccata, Adagio & Fugue in C major, BWV 564
Frédéric François Chopin:Ballade No. 1 in G minor, Op. 23Mazurka No. 21 in C sharp minor, Op. 30 No. 4Trois Nouvelles Études: Étude in A flat majorÉtude Op. 10 No. 8 in F major
Claude Achille Debussy:Serenade for the Doll
Franz Liszt:Valse oubliée No. 1, S.215/1
Moritz Moszkowski:Etude in A flat major, Op. 72 No. 11
Sergey Vassilievich Rachmaninov:Prelude Op. 32 No. 12 in G sharp minor
Alexander Nikolayevich Scriabin:Piano Sonata No. 9, Op. 68 'Black Mass' (Messe Noire)Poème in F sharp major, Op. 32 No. 1Étude Op. 2 No. 1 in C sharp minor
Domenico Scarlatti:Keyboard Sonata K380 in E major
Robert Schumann:Fantasie in C major, Op. 17Kinderszenen, Op. 15: Traümerei (Rêverie, Dreaming)

Καλλιτέχνες

Vladimir Horowitz (Piano)

After an absence of twelve years, Vladimir Horowitz’s return to the concert stage was one of New York’s most exciting musical events. It was Sunday, May 9, 1965, when the great pianist stepped onto the stage of Carnegie Hall, greeted by a shouting, standing ovation. It was his first public performance since he had left the same stage on February 25, 1953. The recording of his recital would be awarded with three Grammy® Awards and become one of the most successful classical albums.In the months before the historic day of May 9, Horowitz went to Carnegie Hall – twice in January, twice in April – to play for his wife and close friends, before he decided he was ready to perform publicly. Columbia Masterworks recorded these intimate private recitals, as well as his subsequent rehearsals for his return in 1966, on tape, and they have remained almost entirely unreleased for more than 50 years. The present edition invites the listener to enter the circle of the few Horowitz confidants who attended these events in the darkened, almost deserted hall: We hear Horowitz enjoying the freedom of improvisation in previously unheard, sparkling performances, his complete recordings in the brilliant sound of the concert hall, and many witty conversations recorded in an intimate working atmosphere. The 212-page photo book contains a vast collection of previously unseen photos by Don Hunstein, three new essays by Pulitzer Prize-winning music critic Tim Page, pianist Jed Distler and Horowitz scholar Bernard Horowitz, as well as facsimile images and full transcriptions of the conversations.