Dietrich Fischer-Dieskau Sings Reger, Sutermeister, Hindemith

Κλασική Μουσική

«Dietrich Fischer-Dieskau Sings Reger, Sutermeister, Hindemith»

1 CD

Προσφορά: €5.00

Συντελεστές

Dietrich Fischer-Dieskau (Baritone), Ulrich Bremsteller (Organ), Aribert Reimann (Piano).

  • Max Reger

    • Wenn in bangen, trüben Stunden (Novalis) (03:25)
    • Passionslied (Julius Sturm) (05:39)
    • Ich sehe dich in tausend Bildern (Novalis) (02:50)
    • Meine Seele ist still zu Gott (Psalm 62) op. 105, 2 (03:01)
    • Bitte um einen seligen Tod (Nikolaus Herman) (02:53)
    • Dein Wille, Herr, geschehe (Joseph v. Eichendorff) (02:13)
    • Grablied (Ernst Moritz Arndt) (03:37)
    • O Jesu Christ, wir warten dein (Erasmus Albert) (01:52)
  • Heinrich Sutermeister

    • Der 70. und 86. Psalm für tiefe Stimme und Orgel [1947] (08:33)
  • Paul Hindemith

    • Gesang (Novalis) (03:01)
    • Die Sonne sinkt (Friedrich Nietzsche) [1939] (02:44)
    • Das Ganze, nicht das Einzelne (Friedrich Rückert) [1933] (01:19)
    • Hymne (Friedrich Hölderlin) [1933] (01:43)
    • Singet leise (Clemens Brentano) [1936] (01:29)
    • Ich will nicht klagen mehr (Novalis) [1933] (01:24)
    • Das Lied der Toten (Novalis) [1933] (08:49)
    • Drei Hymnen op. 14 (Walt Whitman) für Bariton und Klavier [1919] (09:11)
    • Nr. 1: Der ich, in Zwischenräumen, in Äonen und Äonen wiederkehre (02:03)
    • Nr. 2: O, nun heb du an, dort in deinem Moor (03:29)
    • Nr. 3: Schlagt! Schlagt! Trommeln! (03:39)

Celebrating Dietrich Fischer-Dieskau’s 85th birthday, audite is issuing a four-part “birthday edition”, adding studio and live concert recordings made between 1951 and 1989 to an already existing nine-CD audite Fischer-Dieskau edition. The releases from the archives of the RIAS and the Sender Freies Berlin document the unequalled quantitative and qualitative spectrum which Fischer-Dieskau acquired during the five decades of his career. They offer a fascinating insight into the breadth of Fischer-Dieskau’s repertoire as well as his artistic approach, with which he maintained a careful balance of development and continuity until the end. These recordings – spanning Beethoven’s sacred songs Op. 48 of 1806, through Schumann, Brahms, Mahler and Reger, to Heinrich Sutermeister’s expressive psalm setting of 1948 – demonstrate the combination of personality and musical character which was essential for Fischer-Dieskau. Not only do they document the artistic partnership with pianists such as the unforgotten Hertha Klust, Daniel Barenboim, Cord Garben, Aribert Reimann and Tamás Vásáry, but also the delightful collaboration with the organist Ulrich Bremsteller. Furthermore, Dietrich Fischer-Dieskau can be heard together with his wife and musical partner, Julia Varady.

The term of document applies to this edition both in the sense of an historic and an artistic legacy. It reveals the riches of the lied repertoire from the last two centuries which Fischer-Dieskau, in his role of musical chronicler, has made accessible for the present age; and it is an impressive record of an incomparable interpretational art, according to which word and music were always treated and realised as a unit.

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