“Mahler: Lieder Eines Fahrenden Gesellen”
Auf dem Kirchhofe, Op. 105 No. 4,
Heimweh III, Op. 63 No. 9,
Heimweh, Op. 63 No. 8 (O wüßt ich doch den Weg zurück).
Wenn ein schöne Frau befiehlt.
|Ferencz Liszt||Im Rhein, im schönen Strome, S272.|
Ich bin der Welt abhanden gekommen (Rückert-Lieder),
Lieder eines Fahrenden Gesellen.
|Miloje Milojević||Jesenja elegija.|
An die Geliebte (No. 32 from Mörike-Lieder),
Der Mond hat eine schwere Klag' erhoben (No. 7 from Italienisches Liederbuch) (La luna s'è venuta a lamentare).
Fiona Pollak (Piano), Ilker Arcayürek (Tenor).
“This recording features songs by composers from the period of the kaiserlich-und-königlich Dual Monarchy of Austria-Hungary around the turn of the20th century. We wanted to venture outside our comfort zone to discover as many different timbres and new songs as possible. We have selected composers from the Austro-Hungarian Empire of that time, including the region of Vojvodina, which is now part of Serbia. The variety of art songs featured here not only reflects the Austro-Hungarian period, but also the Austria of today, along with each of our individual artistic personalities. We are two musicians with entirely different origins and religious backgrounds: Austria is where we met and started making music together. Mahler’s Songs of a Wayfarer form this recording’s dramatic nucleus. We found it fascinating to present this cycle in a rarely performed higher version for tenor. In our view, the Songs of a Wayfarer serve here as a prologue, a foreshadowing, and a summing up of the content you will encounter in the remaining songs on this album. The wayfarer’s story begins with Frühlingsmorgen, a morning in spring. In Franz Léhar‘s two songs he discovers love for the first time. However, he undergoes his first emotional transformation, associated with the first heartache, in Hugo Wolf’s Der Mond hat eine schwere Klag’ erhoben. From there we wander into the Balkan mountain range, to the Vojvodina region on the Danube. In Elegie the wayfarer expresses his pain and sorrow. Along with the change of mood, the language changes, as well. It comes with the heartfelt yearning to turn back time. Childhood reminiscences emerge in the thoughts of the wayfarer, who by now has grown older…” (Ilker Arcayurek)