Rea Claudia Kost Sings Hanns Eisler And Barbara

Κλασική Μουσική

«Rea Claudia Kost Sings Hanns Eisler And Barbara”

2 CD

Τιμή: €13.00


Rea Claudia Kost (Mezzo-Soprano), Daniel Fueter (Piano).

Barbara: À chaque fois
Barbara: Au bois de Saint-Amand
Barbara: Au cœur de la nuit
Barbara: De jolies putes vraiment
Barbara: Die schwarze Sonne / Le Soleil noir
Barbara: Die Süßen / Les Mignons
Barbara: Femme piano
Barbara: Göttingen
Barbara: Ich liebe dich kann ich nicht sagen / Je ne sais pas dire
Barbara: J’entends sonner les clairons
Barbara: L’Aigle noir
Barbara: Le Mal de vivre
Barbara: Mein Kompliment / Chapeau bas
Barbara: Nantes
Barbara: Perlimpinpin
Barbara: Rémusat
Barbara: Sag, wann kommst du zurück? / Dis, quand reviendras-tu?
Barbara: Schönes Alter / Le Bel Âge
Barbara: Septembre
Barbara: Y aura du monde
Eisler: Ändere Die Welt, Sie Braucht Es
Eisler: Aus einer Romanbeilage („Der brave Soldat Schwejk“ von Jaroslav Hašek) – Predigt des Feldkuraten
Eisler: Das «Vielleicht”-Lied
Eisler: Goethe-Fragment
Eisler: Heiratsannonce – Liebeslied eines Großgrundbesitzers
Eisler: Heiratsannonce – Liebeslied eines Kleinbürgermädchens
Eisler: Hölderlin-Fragmente
Eisler: Lied einer Kupplerin
Eisler: Lied eines Freudenmadchen
Eisler: Lieder (3) auf Texte von Kurt Tucholsky
Eisler: Monolog des Horatio
Eisler: Schweyk im zweiten Weltkrieg: excerpts
Eisler: Und Endlich
Eisler: Verfehlte Liebe
Eisler: Wiegenlieder (4) fur Arbeitermutter, Op. 33

“For me his setting was what performance would be for a play: the test. He reads with enormous exactitude,” wrote Bertolt Brecht in his work diary on July 26, 1942, thus paying Hanns Eisler a subtle compliment that he never lavished on any other of his musical fellow-travellers. At this time, the two artists were in Hollywood, having emigrated to California to escape the Nazis. Eisler received more and more commissions to earn a living: during his ten-year exile in the USA, he was twice nominated for Oscar film music awards. Besides the bread-and-butter commissions, this period also saw him write the “Hollywood Songbook”, which includes 28 Brecht settings as well as the Holderlin Fragments, thus encompassing a vast range of musical and literary styles. The present recording covers the cosmos of Eisler’s song art in all its scope. The life of the French singer Barbara was also heavily influenced by the political circumstances of the 20th century: there is no «original” piano accompaniment by Barbara on the album. The arrangements that Daniel Fueter has made for a scenic performance replace in their stylistic range and colorfulness more than a companion volume. Rea Claudia Kost has appeared at various opera companies and festivals in the Netherlands, Belgium and Switzerland and has been playing various chanson programs since 2010.

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