YORK BOWEN The complete 78rpm solo recordings

16,00

2 CD 

Κλασική Μουσική 

APR

7 Απριλίου 2016

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5024709160075

Edwin York Bowen:Arabesque, Op. 20, No. 1Fragments from Hans Andersen, Op. 58Suite No. 2, Op. 30: Finale ‘A Romp’The Way to Polden (an ambling tune) Op. 76
Johann Sebastian Bach:Partita No. 2 in C minor, BWV826
Johannes Brahms:Capriccio in B minor, Op. 76 No. 2
Ludwig van Beethoven:Piano Concerto No. 4 in G major, Op. 58Piano Sonata No. 13 in E flat major, Op. 27 No. 1 'Quasi una fantasia'Piano Sonata No. 24 in F sharp major, Op. 78
Frédéric François Chopin:Ballade No. 3 in A flat major, Op. 47Polonaise No. 1 in C sharp minor, Op. 26 No. 1Prelude Op. 28 No. 20 in C minorPrelude Op. 28 No. 23 in F majorPrelude Op. 28 No. 3 in G majorScherzo No. 2 in B flat minor, Op. 31Waltz No. 2 in A flat major 'Grande Valse Brillante', Op. 34 No. 1Étude Op. 25 No. 5 in E minor
Peggy Cochrane:Le Ruisseau
Claude Achille Debussy:Estampe No. 3 – Jardins sous la pluie
Henry Balfour Gardiner:Gavotte from Five PiecesLondon Bridge from Five Pieces
Leopold Godowsky:Arabesque, Op. 16, No. 2
Franz Liszt:Années de pèlerinage, 1ère année, Suisse (9 pieces), S. 160 (Years of Pilgrimage, 1st year, Switzerland)
Felix Mendelssohn:Scherzo in E minor, Op. 16 No. 2
Ignaz Moscheles:Etude, Op. 70 No. 5
Sergey Vassilievich Rachmaninov:Polichinelle, Op. 3, No. 4Prelude Op. 23 No. 5 in G minor
Eduard Schütt:Etude Mignonne in D major, Op. 16, No. 1
Robert Schumann:Faschingsschwank aus Wien, Op. 26 (Allegro)

Καλλιτέχνες

Edwin York Bowen (Piano)

In recent years York Bowen, the composer, has enjoyed a spectacular revival, but until now his talents as pianist (barring a late recording of his own music for Lyrita) have not been heard since the days of 78s. At the height of his success, in the first decades of the 20th century, Bowen was as much known as pianist as composer and frequently performed at the Proms amongst other things. His first recording, a very rare disc on the Marathon label, was released in 1915, but the bulk of his work was done for Vocalion; after they went bankrupt in 1927 he appears to have made no further 78s. Pride of place must go to Bowen’s Beethoven 4th Piano Concerto. This was the very first recording of the work and its neglect has been due to the fact that it was one of the last recordings to be made under the old acoustic process which was superseded the year the work was issued. Bowen’s pianism is extremely fluent and he plays his own cadenzas! Through all the featured works we hear a pianist who plays in the ‘grand manner’ and that, and his preference for romantic repertoire, reveal him as somewhat atypical of the English pianist of his time. Perhaps his nickname ‘the English Rachmaninov’ did indeed hit the nail on the head.

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