Johannes Brahms: String Sextets Nos. 1 & 2 – Live from Aix Easter Festival 2016-

16,00

1 CD 

Κλασική Μουσική 

Erato

13 Μαρτίου 2024

Σε απόθεμα

Ερώτηση για το προϊόν

Περιγραφή

190295888374

Johannes Brahms:String Sextet No. 1 in B flat major, Op. 18String Sextet No. 2 in G major, Op. 36

Καλλιτέχνες

Gautier Capuçon (Cello)Gérard Caussé (Viola)Marie Chilemme (Viola)Renaud Capuçon (Violin)Clemens Hagen (Cello)Christoph Koncz (Violin)

Chamber music with friends at the highest level: The Brahms sextets with the Capucon brothers – live

Looking over the discography of the brothers Renaud and Gautier Capucon, one can see a great focus on Brahms: violin sonatas, piano quartets, the violin concerto and the double concerto. Little by little, a great Brahms edition is growing up with the Capucon brothers. Now follows another milestone on this path with the two string sextets

The violist Gerard Causse, present in many joint productions, the Austrian violinist Christoph Koncz, the cellist Clemens Hagen and the French violist Marie Chilemme complement the two brothers, who here once again realize their concept of chamber music with friends at the highest level. And this time, too, the album offers the live recording of a memorable event: the six played the two works in 2016 at the Aix Easter Festival – presenting themselves in a wonderful balance of structural depth and fresh musicality

The two sextets already stand out from the usual repertoire because of their instrumentation. With them, Brahms explored the art of independent voice leading. He succeeded masterfully in conveying not only technical sophistication but also great emotional depth. The second sextet, for example, is connected to an unhappy love affair: in 1858 Brahms broke off his engagement to a certain Agathe von Siebold, whose name he musically shaped as notes to one of the themes.

Reviews

“And it is an experience that Capucon, Koncz, Caussé, Chilemme, Capucon and Hagen offer us here. From the first chord on, we are accompanied by a rich string sound set in the lower regions, which is not designed to be listenable, but allows Brahms’ sextets to shine in full sonority.” (Radio Klassik)

Προσεχείς Συναυλίες


Προσεχείς Συναυλίες Καλλιτεχνών

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