- Meyerbeer: Le Pardon de Ploermel: Les blés sont beaux (Recorded 1912)
- Meyerbeer: L’Africaine: Pays mervelleux (Recorded 1912)
- Meyerbeer: Le Prophete (Excerpt)
- Halévy: La Juive: Rachel quand du Seigneur (Recorded 1924)
- Gounod: La Reine du Saba: Faiblesse de la race humaine…Inspirez moi (Recorded 1923)
- Saint-Saëns: Samson et Dalila (Excerpt)
- Reyer: Sigurd (Excerpt)
- Massenet: Manon (Excerpt)
- Massenet: Werther (Excerpt)
- Rossini: Guillaume Tell: Asile Héréditaire (Recorded 1924)
- Verdi: Jerusalem: Je veux entendre (Recorded 1923)
- Verdi: Otello (Excerpt)
- Mascagni: Cavalleria Rusticana: Moi seul…Ah! servez de mère (Recorded 1925)
- Leoncavallo: Pagliacci: M’habiller (Recorded 1912)
- Puccini: Manon Lescaut: Ah! Ne approchez pas (Recorded 1924)
- Puccini: Tosca: Le ciel luisant d’etoiles (Recorded 1912)
César Vezzani was a true tenor-fort, equivalent of the Italian lyrico-spinto, and therefore assigned the demi-caractère rôles which demand a wide vocal range. In addition Vezzani’s brilliant top notes place him firmly in a line of French dramatic tenors who can claim their heritage from Gilbert-Louis Duprez (1806-1896)…
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