The Trio Sonata in 18th-Century Italy – London Baroque

15,00

1 CD 

Κλασική Μουσική 

Bis

1 Αυγούστου 2023

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Ερώτηση για το προϊόν

Περιγραφή

7318590020159

Tomaso Albinoni:Balletto in G, Op. 3 No. 3
Francesco Antonio Bonporti:Sonata in G minor, Op. 6 No. 7
Giovanni Battista Bononcini:Sonata No. 2
Domenico Gallo:Trio Sonata No. 1 in G major
Pietro Antonio Locatelli:Sonata in D major, Op. 8 No. 8
Nicola Antonio Porpora:Sonata Op. 2, No. 3
Giuseppe Sammartini:Sonata No. 5, Op. 3
Giuseppe Tartini:Suonata a tre in D minor
Antonio Vivaldi:Trio Sonata, Op. 1 No. 12 for Two Violins & Continuo in D minor, RV 63 'La Follia'

Καλλιτέχνες

London Baroque (Early Music Ensemble)

”…a highly interesting selection of works, and a disc that can be thoroughly recommended.” Early Music Review

Just as the seventeenth century saw the rise of the trio sonata to its position as the most important chamber music form, so the eighteenth century saw its decline and eventual demise. The seventh and penultimate disc in London Baroque’s highly acclaimed survey of the genre through the two centuries lets us sample these later developments in Italy, the nation where the genre had evolved some 100 years earlier. We do so through works by composers who are well-known (Vivaldi), unknown (Bonporti), known for the wrong reasons (Albinoni never composed the famous – or infamous – Adagio) and ignored by mistake (the trio sonata that inspired Stravinsky to compose Pulcinella was by Domenico Gallo and not by Pergolesi, as was long believed). Among our Italians are Locatelli and Tartini, two of the great violinist-composers of the period, as well as a trio largely active in musical centres outside of Italy: Bononcini, Sammartini and Porpora, who taught the young Haydn in Vienna in the 1750’s. Together their compositions come to form a mosaic, where proud traditions from Corelli and earlier (as seen in Vivaldi’s Folia and Albinoni’s dance suite) are gradually superseded by rococo traits