Maurice Gendron: Charm and Cello

30,00

4 CD 

Κλασική Μουσική 

Profil Hanssler

2 Μαρτίου 2023

Εξαντλημένο

Ερώτηση για το προϊόν

Περιγραφή

881488180916

Johannes Brahms:Cello Sonata No. 1 In E Minor, Op. 38
Ludwig van Beethoven:Cello Sonata No. 1 in F major, Op. 5 No. 1Cello Sonata No. 5 in D major, Op. 102 No. 2
Luigi Boccherini:Cello Concerto No. 9 in B flat major, G482
Antonin Dvorak:Cello Concerto in B minor, Op. 104
Franz Joseph Haydn:Cello Concerto No. 2 in D major, Hob. VIIb:2 (Op. 101)
Franz Peter Schubert:Sonata in A minor 'Arpeggione', D821
Robert Schumann:Cello Concerto in A minor, Op. 129
Piotr Ilyich Tchaikovsky:Variations on a Rococo Theme, Op. 33

Αναλυτική Παρουσίαση

Johannes Brahms:Cello Sonata No. 1 In E Minor, Op. 38
Ludwig van Beethoven:Cello Sonata No. 1 in F major, Op. 5 No. 1Cello Sonata No. 5 in D major, Op. 102 No. 2
Franz Peter Schubert:Sonata in A minor 'Arpeggione', D821
Jean Françaix (Piano)Maurice Gendron (Cello)
Robert Schumann:Cello Concerto in A minor, Op. 129
Piotr Ilyich Tchaikovsky:Variations on a Rococo Theme, Op. 33
Maurice Gendron (Cello)
Wiener Symphoniker (Ορχήστρα)Christoph von Dohnányi (Μαέστρος)
Antonin Dvorak:Cello Concerto in B minor, Op. 104
Maurice Gendron (Cello)
London Philharmonic Orchestra (Ορχήστρα)Karl Rankl (Μαέστρος)
Luigi Boccherini:Cello Concerto No. 9 in B flat major, G482
Franz Joseph Haydn:Cello Concerto No. 2 in D major, Hob. VIIb:2 (Op. 101)
Maurice Gendron (Cello)
Orchestre des Concerts Lamoureux (Ορχήστρα)Pablo Casals (Μαέστρος)

Maurice Gendron (1920–1990) played on an instrument that now bears his name. It is a Stradivari cello of 1693, and in honour of this great cellist it is now known as the “Gendron, Lord Speyer” cello. Gendron felt himself born under a lucky star. After studies in his birthplace Nice, where he already showed exceptional promise, he moved to Paris. His stupendous ability and charming manner soon spread his reputation, and in the artistically inclined French capital he attracted the attention of such prominent figures as Picasso, Mauriac and Cocteau. The end of the Second World War opened the doors of the world’s concert halls to him. One early highlight was the European first performance of the Prokofiev Cello Concerto op. 58 with the Philharmonic Orchestra under Walter Süsskind in London in 1945. Pablo Casals himself, the revered role model of all twentieth-century cellists, invited Gendron to make music with him. So did the violinist Yehudi Menuhin, who invited him to make up a trio together with his sister Hephzibah.

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