|Lera Auerbach||24 Preludes For Violoncello And Piano,
Sonata For Violoncello And Piano ,
Postlude For Violoncello And Piano.
Ani Aznavoorian (Cello), Lera Auerbach (Piano).
|Lera Auerbach’s 24 Preludes for violoncello and piano (1999) receives its world-premiere recording on Celloquy in a performance by Ani Aznavoorian, an award-winning American cellist of international stature, and Auerbach, a Russian-born virtuoso pianist and one of the most widely-performed composers of the new generation.
Auerbach is the youngest composer on the roster of Hamburg’s prestigious international music publishing company Hans Sikorski, home to Shostakovich, Prokofiev, and Schnittke. “Her music is lyrical, passionate, and often seems to straddle the past and present,” observed the host of a recent Canadian Broadcasting Corporation program devoted to Auerbach’s multi-faceted career.
The Chicago Reader called the 24 Preludes “an enthralling work of great invention and power.” The San Francisco Chronicle said, “Each of these short pieces . . . is a lyric poem in music, creating a mood, a melodic notion, or a completely imagined microcosm. . . . The range of Auerbach’s inspiration is phenomenal.”
Aznavoorian and Auerbach have played the 24 Preludes numerous times, notably on stage at the Hamburg State Opera House during Hamburg Ballet performances of Auerbach’s Préludes CV, which incorporates the cello Preludes. The two musicians are longtime friends and collaborators who met as undergraduates at New York’s Juilliard School.